Zines

Nearly thirty years into its existence, 8-Track Mind still manages a weirdness few other zines have. Loosely dedicated to an obsession with 8-track tapes, in issue 104, the "Cartridge Family" ostensibly work under the theme of "the commodification of nostalgia" and let whatever happens happen. 

Within: a series of oddball fables, 8-track Terminator, a Muskegon Eight-Track story, So Wrong They're Right, the scam of 8-track eBay, and so much more. With contributions from: Ralph Coon, Brendan DeVallance, Liam Hayes, Malcolm Riviera, Dan Sutherland, and Lucien Williams.

As editor Russ Forster writes, "I have always endeavored to make 8-Track Mind Magazine a bastion of individual expression, be it nostalgic or otherwise. Perhaps this has always been the true quest for the magazine: to encourage a contrarian, individualistic experience of the spoils of consumer society as a way to resist being a tool for the amoral beneficiaries of consumerism."

Comes with a full-color 8-track centerfold. 40 pages, half-letter size. 

 

The best zine about zines around. Within: Sarah Mirk's joy-inducing stories about her Year of Zines project. Corinne Halbert's "Zany Zinetiquette" comics. Gianni Simone's stories of how his early 2000s zines led to becoming a freelance writer in Japan. Ed Kemp and Mark Cunning's home copier treatises. Todd Taylor's personal history of Razorcake frugality. Liz Mason's hilarious Quimby's "Zine Data Mining." Brian Polk's brilliant imagined zines.

Not to mention words and pictures from zine superstars like: Anna Jo Beck, Nyx, Jenna Freedman, Mike Faloon, Johnnie B. Baker, and Ed Tillman.

Cover art by Sarah Mirk. 40 pages, half-letter size.

Each issue of Behind the Zines is such a joy to read and warms my heart so much. Zine lifers, independent publishers, and artists of all stripes gather together to tell stories that never otherwise get told. (Like, in this issue, Todd Taylor of Razorcake's journey into a warehouse postal audit with rejected snake meat and live chickens.)

This issue's highlight: an essay from our own Gina Sarti about the ten-year anniversary of her ridiculously popular zine Shit's Fucked: A Positivity Guide. It's the rare story of making tons of lovely connections by way of a small zine that randomly went viral on Reddit a decade ago and never stopped.

Close-second highlight: Jonathan Valelly's deep-dive into the Broken Pencil Zine Awards—a massive, wonderful operation (that old-school zinesters love to hate on).

There's also: zine tattoos, first-time zinesters, postal bliss, experimental hip-hop collective zines, the pandemic zine fest scene, the most unwanted zine, anarchist zine printing, retro zine reviews, and an interview with Jolie Ruin (of The Escapist Artist).

32 pages, half-letter size. 

 

Our favorite zine about zines. And there's just so much good. Kate Foray and Dan Nelson discuss the upswing in wrestling zines. Frederick Moe dives into amateur press associations. Jess Hogan tells the nontraditional story of Neither/Nor Distro and how it can work in other places. Plus words, interviews, and features from some of our faves: Anna Jo Beck, Julia Eff, Kari Tervo, Saeko Reed, and so many more.

Highlight: Razorcake co-founder Todd Taylor gives a brief history of the magazine. Which includes a peek into the legendary Flipside and the interlinked cultures of punk, zines, and vinyl. (And there's also a great zine crossword to boot.)

40 pages, half-letter size.

The latest issue of newest best zine about zines around. Within: the evolution of DIY comics culture, zine-fest history, imagined zines, One Punk's Guide to collaborative zines, a history of that one Crimethinc poster, The Most Unwanted Zine, confessions of a sex-zine zinester, an interview with the Dear Diary Zine Fest, and more.

Pieces from some of our favorite folks: our very own Gina Sarti (DRIVEL), John Porcellino (King Cat), Todd Taylor (Razorcake), Liz Mason (Caboose), Ed Kemp (I Fucking Love This Album), Frederick Moe (Tin Can Telephone), and many many more.

44 pages, half-letter size.

Four issues of Behind the Zines: A Zine About Zines, or 164 pages and two-plus years of zine culture thoughts, essays, histories, ideas, advice, comics, and discussions. Save a couple bucks on cover cost and shipping cost and get them all. 

This issue of Caboose considers the ways we connect. From pandemic depths, Liz Mason looks at virtual dance parties, advancements in karaoke technology, digitizing her old college radio show archives, her grade school media empire, wormholes, and much more.

48 pages, half-letter size.

Last two copies! In an attempt to figure out the last record he would ever sell, Danny Noonan writes the story of a skittish teenager’s discovery of punk that leads him to house shows and eventually a move across the country. It’s a celebration of record stores that spans 25 years and explores the anxiety of youth, the community of punk, and how much it sucks not to be able to find a job when you need it the most. 

Clock Tower Nine contributors from Seattle, Tukwila, Minneapolis, and Cleveland weigh in on a range of topics including: 8-track tapes, lonely videogames, losing battles on the bus, The Zombies, the Ultimate Warrior, struggling with religion after a horrible accident, and more.

36 pages, blue and teal risograph-printed cover.

Cul-De-Sac, the long-running collaboration between childhood friends Liz Mason (Caboose zine) and Julie Halpern (Get Well Soon and various young adult gems), is a joy of pop-culture odds and ends. Dungeons & Dragons break-ups, Ancient Aliens obsession, meeting Carrie Fisher, subculture drama, and so much more.

36 pages, half-letter size.

Last two copies! The second issue of the excellent movies of the 1930s zine, A Great and Terrible Golden Age. Within: a Joan Crawford rich person solo sport montage, Soviet sci-fi, the pompous genius of "the fifth Marx Brother" Margaret Dumont, Greta Garbo's only rom-com, and Ernst Lubitsch galore!

Contributions from Emily Alden Foster, Bethany Simard, Yvonne Li, Emily Parrish, Lindsey Simard, Robert Dynamite, Tessa Brunton, and Joshua James Amberson.

56 pages, quarter-size.