Zines

We always love Minor Leagues, U.K. comic artist/graphic memoirist Simon Moreton's ongoing zine series. Dreamy fluid comic art, solid prose, collaged bits and pieces, a fun variety show of a zine. In this issue: notes from America, birdwatching, topographies, wallpaper, foxes, home. 

64 pages, full magazine size.

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Stories about ghosts, abandoned farmsteads, weird fires, old lives, falling over in the gravel. This issue of Minor Leagues is the second part in Simon Moreton's "Where?", his serialized graphic memoir of life, death, history, landscape, and nature in the South Shropshire hills. Told through comics, prose, and photos.

100 pages, large format.

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The fourth and final part of Simon Moreton's "Where?" serialized graphic memoir of memory, grief, and connection to place. Personal narratives combine with the histories, folklore, and ghosts of an area whose human use goes back over two thousand years. (Do note, dear reader: you can start anywhere in the series!)

112 pages, half-legal size.

Origin stories, séances, astronaut egos, and so many more short stories about (and relationships with) the moon.

Edited by Joseph Carlough at Displaced Snail Publications. With work by: Carolyn Busa, Charlene Kwon, Heather Butts, Hrishikesh Hirway, Jesse Reklaw, Joseph Carlough, Josh Berwanger, Katie Haegele, Kishi Bashi, Kristen Martin, Marguerite Dabaie, Michael Jasorka, Mike Adams, Mocha Ishibashi, Molly Rice, and Thaddeus Rutkowski...[ continued ]

Simple and practical suggestions to help you get your words onto the page. Straightforward, laid out nicely, and accessible to everyone.

Also included within: a fun abridged history of writing and communication tools.

28 pages, half-letter size, cover colors vary.

Krissy Ponyboy chronicles her decades-long obsession with Beat Generation writers, and the obsession's gradual decline. Like all issues of Paper Crush, Dumping Kerouac is awesome, straightforward, and wise.

24 pages, quarter-size.

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Picking Stuff Apart (also known as Eaves of Ass #8 & Basic Paper Airplane #11) is a collection of reviews of life and art. An industrial music award ceremony, Meetup groups, books, films, and dated Christian television—all looked at deeply and discussed.

Within: "Life After an Impossible Book," "The Tyranny of the Weird Kid Table," "The Prevalence of Satanic Preschools," and much more...[ continued ]

Two poetry zines in one by Tomas Moniz. In A Poetic Theory of Plate Tectonics, he looks at bodies in relation to the various movements of the earth. And in A Reclamation of Manhood, he looks at past joys and mistakes in an attempt to unlearn the socialized expectations of what manhood and fatherhood looks like.

With art from Ajuan Mance, Robert Liu-Trujillo, and Alicia Dornadic...[ continued ]

In a long-form braided essay, Billy McCall takes a hard look at his relationship with his brother. Juxtaposing his brother's substance abuse issues with his own aversion to substances, Proof I Exist #28 becomes a short memoir on family and addiction that's heart-felt and curious. Possibly the best zine yet from this prolific zine author.

40 pages, quarter-size. Risograph-printed...[ continued ]

Range drags the queerness of the frontier out from between the lines of Louis L’Amour’s cowboy story Lonely on the Mountain. Through a series of erasure poems, a dusty free-box Western novel is transformed. Range is playful, sexy, hilarious, and at times somehow transcendent, otherworldly, glorious. 

40 pages, half-letter size, text & illustrations...[ continued ]